Mimomania: Music and Gesture in Nineteenth-Century Opera (California Studies in 19th-Century Music)

Mimomania: Music and Gesture in Nineteenth-Century Opera (California Studies in 19th-Century Music) Download Mimomania Music And Gesture In Nineteenth Century Opera California Studies In 19th Century Music Author Mary Ann Smart Ivogue.co.uk When Nietzsche Dubbed Richard Wagner The Most Enthusiastic Mimomaniac Ever To Exist, He Was Objecting To A Hollowness He Felt In The Music, A Crowding Out Of Any True Dramatic Impulse By Extravagant Poses And Constant Nervous Movements Mary Ann Smart Suspects That Nietzsche May Have Seen And Heard Than He Realized In Mimomania She Takes His Accusation As An Invitation To Listen To Wagner S Music And That Of Several Of His Near Contemporaries For The Way It Serves To Intensify The Visible And The Enacted As Smart Demonstrates, This Productive Fusion Of Music And Movement Often Arises When Music Forsakes The Autonomy So Prized By The Romantics To Function Mimetically, Underlining The Sighs Of A Bellini Heroine, For Instance, Or The Authoritarian Footsteps Of A Verdi Baritone Mimomania Tracks Such Effects Through Readings Of Operas By Auber, Bellini, Meyerbeer, Verdi, And Wagner.Listening For Gestural Music, We Find Resemblance In Unexpected Places Between The Overwrought Scenes Of Supplication In French Melodrama Of The 1820s And A Cluster Of Late Verdi Arias That End With The Soprano Falling To Her Knees, Or Between The Mute Heroine Of Auber S La Muette De Portici And The Solemn, Almost Theological Pantomimic Tableaux Wagner Builds Around Characters Such As Sieglinde Or Kundry Mimomania Shows How Attention To Gesture Suggests A New Approach To The Representation Of Gender In This Repertoire, Replacing Aural Analogies For Voyeurism And Objectification With A Specifically Musical Sense Of How Music Can Surround, Propel, And Animate The Body On Stage.

  • 2.4
  • 271
  • English
  • 10 August 2017
  • Paperback
  • 254 pages
  • 9780520248311
  • Mimomania: Music and Gesture in Nineteenth-Century Opera (California Studies in 19th-Century Music)
  • Mary Ann Smart

15 thoughts on “Mimomania: Music and Gesture in Nineteenth-Century Opera (California Studies in 19th-Century Music)

  1. Jenna says:

    Written in an accessible style, Stuart rarely makes assumptions concerning her reader s knowledge, placing referenced works in context, often in a succinct sentence For the reader from the theatre discipline, perhaps the only difficulty might be with the music theory, but even this she explains with clarity In her discussi...

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